![]() | ||||
from the 2012 self-titled album Internet Forever. |
I picked randomly and landed on…“Cover The Walls” by Internet Forever. Internet Forever, a British trio of indie fuzz-popsters, emerged in 2009 with this single, but seems to have dropped out of view by 2013. The probability of the band becoming a musical footnote (if that) seems fairly high, with two singles and only one (fantastic) album to their name. I hope they make a return somehow, or are at least not forgotten (and since the internet is probably forever, there’s always hope). Perhaps they’ll be given the comprehensive reissue treatment that has helped me discover a substantial trove of sparkling indie treasures that would have otherwise been consigned to the rarefied vinyl collections of erudite twee-pop fans.
INTERNET FOREVER - 'Cover The Walls' from Extra on Vimeo.
:format(jpeg):mode_rgb():quality(90)/discogs-images/R-2268476-1288208659.jpeg.jpg)
Why this
obscure, fuzzy bedroom guitar pop? For
the same reasons that legions of wallflowers, misfits, and romantics listen to
Cherry Red reissues, K records, and the whole C86 musical oeuvre. I love “Cover the Walls” because it distills the
essence of indiepop, the kind Calvin Johnston envisioned, that community-based,
DIY music making that was punk as fuck, but never hard or hateful. That showed that three chords, a beat up amp,
and a rudimentary drum kit could yield devastatingly catchy pop songs, if sung
from the heart. “Cover the Walls” is all
that. A simple, almost four on the floor
drumbeat, inexpert vocals recorded in the red, fuzzy guitar, cheap analog
synths and – most importantly – an impossibly catchy verse and chorus. I fully recognize this is not for everyone, but
for those who like bands like Los Campesinos, The Vaselines, Dear
Nora, The Aislers Set, I’m From Barcelona, Twerps,
The Pastels, etc., “Cover the Walls” is archetypal.
I must confess
I’m torn between recommending the much more lo-fi version of the song on the 7”
(2009) or the slightly cleaned up version on the album. I’m more familiar with the single but
I think it’s clear the album version sounds better. Check out both! And check out the 2012 self-titled album. The blog The Line of Best Fit puts it this way: "this
indiepop album is, really, the Platonic ideal of indiepop albumness: a glorious
curation of that which makes us lonely, speccy, woolly bastards melt into our
own tea."
And as always, please check out my Spotify channel - you can start with the Top 100 (2009-2018), from whence this song came.